A member of the Science Fiction and Fantasy Hall of Fame, Bester got his start by winning a story contest sponsored by Thrilling Wonder Stories. His story, “The Broken Axiom,” won Bester $50 and was published in the April 1939 issue.
Bester published several more stories in Thrilling Wonder Stories, Startling Stories and Astounding Science Fiction over the next couple years. In 1942, Bester began writing for DC Comics, then scripted episodes of several radio programs, including The Shadow and Nick Carter, Master Detective.
In the 1950s, Bester returned to writing science fiction short stories and novels, which he would do on-and-off along with other various writing and editing jobs until his death in 1987.
Empey, an American frustrated with neutrality, fought in World War I with the British Army beginning in 1915. He served on the Western Front as a bomber and machine-gunner and was wounded in action at the Battle of Somme.
After a medical discharge, Empey returned to the United States in 1917, where he wrote Over the Top, a book about his experiences. The popular book was made into a film in 1918, leading to a career in Hollywood for the former soldier.
As the medium transitioned to sound in the late 1920s, Empey’s career slowed and he began writing war-themed pulp stories. Empey created the popular Terence X. O’Leary, a World War I infantryman, military policeman, aviator and secret agent. His adventures appeared in multiple pulps including War Stories, Battle Stories and War Birds. The latter was retitled as Terence X. O’Leary’s War Birds in 1935 in an attempt to boost sales. Oddly, the editors also changed the format, changing genres from more realistic war stories to more fanciful, supernatural tales. The experiment ended after only three issues and the title was dropped altogether in 1936 as public interest in World War I faded.
Brown was a science fiction and mystery writer, known for his use of humor and for his mastery of ultra-short stories of one to three pages, often with ingenious plotting devices and surprise endings.
According to his wife, Fredric Brown hated to write and would do everything he could to avoid it. Despite that, Brown churned out millions of words worth of short stories, novels and collections.
Brown worked as an editor and typesetter at the Milwaukee Journal in the 1930s. His first professional short story publication was “The Moon for a Nickel,” in the March 1938 issue of Detective Story Magazine. Dozens more mystery and detective stories would follow in Thrilling Detective, Ten Detective Aces, G-Men Detective and The Phantom Detective to name just a few.
His first science fiction story, “Not Yet the End”, was published in the Winter 1941 issue of Captain Future. Brown published stories in many of the great science fiction pulps and digests, including Unknown, Astounding, Startling and Galaxy Science Fiction.
Beadle was a pulp writer and novelist who specialized in tales of Africa and other exotic locales.
The son of a ship captain, he was apparently born at sea in 1881. He grew up in England and emigrated to the United States in 1916. Already a published author, he quickly began writing for the pulps. His work was published in Adventure, Argosy and Short Stories, among other outlets.
He soon relocated to Paris, where he was living by the 1920s. Little is known of his life after that, although he did publish four books and a few stories in the 1930s and ‘40s. His final published appearance seems to be in the June 10, 1947, Short Stories. It is assumed he died in Paris sometime in the 1940s.